Urtext Edition-Edited and engraved by Ephraim Hammett Jones Volume II of this two-book set presents an original compilation of Robert Schumann's best-known character pieces and piano cycles in a pristine urtext edition. Printed to precisely reproduce the artist's original intentions it features eight of the Romantic composer's finest works.Suitable for intermediate to advanced pianists the contents include Piano Sonatas Nos. 1 2 and 3; Davidsbündlertänze Op. 6; Fantasie Op. 17; Noveletten Op. 21; Carnival Jest from Vienna Op. 26; Three Romances Op. 28; Davidsbündlertänze Op. 6; Fantasy in C Major Op. 17; Noveletten Op. 21; Carnival Jest from Vienna Op. 26; and ThreeRomances Op. 28.Dover Original.

Description Includes 'Three Romances Op. 94', 'Tramerei Op. 15 No. 7' and 'Two Pieces In Folk-Song Style Op. 102', arranged for flute with piano accompaniment by Trevor Wye. Songlist Three Romances Op.94 Traumerei (Kinderscenen) Op.15 No.7 Two Pieces In Folk-tune Style Op.102

Arrangeur: Matt Johnston. Par SCHUMANN ROBERT. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn./ Répertoire / Clarinette Alto et Piano

Selected and with an Introduction by Nancy B. Reichs-Among the leading pianists of the 19th century Clara Schumann was a respected published composer in her lifetime regarded by her contemporaries as a member of the avant-garde 'new romantic' school. Praised by such greats as Chopin Brahms Mendelssohn and Liszt her music is being heard again today in recitals and new recordings. This rare collection reproduced mainly from the classic Breitkopf and Hartel edition of 1879 is introduced by Dr.Nancy B. Reich.

Romance No.2 from a series of three beautiful romances written for oboe and piano by Schumann in 1849.

Grade 5-Janet Way's Grade By Grade series draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers including Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others.This practical anthology of carefully selected pieces provides the complete repertoire resource for the aspiring Grade 5 flautist and creates the perfect package for teaching exam preparation and performance.Each volume contains:19 pieces & shortstudies each complemented by a useful practice and performance tip.Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises.Brand new sight-reading activitiesNewly-commissioned aural awareness tasks.A Piano accompaniment booklet. This book for Grade 5 Flute players includes the pieces Three Romances Op. 94 No. 2 by Robert Schumann Two Canons by George Philipp Telemann the traditional Jewish Hineh Mah Tov and more.Janet Way: Grade By Grade Flute (Grade 5) comes complete with a CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.

Opus 132-No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today we can assume that the title of the pieces originally entitled 'Romances' was merely supposed to conjure up a poetic andfairytale world. Presumably inspired by Mozart’s 'Kegelstatt' Trio K. 498 Schumann occupied himself intensively with plans for a work for this distinctive combination of instruments whose 'unique effect' enthused him. Yet almostthree years passed before he sent a publisher these works that he had 'written with great pleasure'. The first edition contained a violin part as an alternative to the clarinet. As this part was authorized by Schumann it is alsoincluded in this Urtext edition.